The Mitchells vs. The Machines will surprise you all the way to its final, heart-warming moments.

While it's easy to point holes in the film's logic, the actors here make the almost two-hour film engaging and believable.

this is Mortal Kombat, and for infrequent gamers like myself, I was pleasantly surprised at how the sequences are captured.

The film's message is clear: live each day like it's your last, and adulthood is a fucking nightmare waiting to happen.

Thunder Force's strength is the friendship between these two women, and the film might've focussed more on their reunion.

McLaughlin convincingly, and often heartbreakingly, conveys this young man's struggle to find his place and walk a new path.

Boss Level, adding another ring to Joe Carnahan's masculine fueled directing hand, is a surprising and fun action-filled film.

This is a recollection of events in Tina's life, and her performances are the main course.

A scene may take a few minutes to unfold, but what is unveiled is genuinely absorbing, surprising, and unsettling.

There is no diminishing the voices of an oppressed group of people trying to bring safety and security to their communities.

From the moment it started, I was captivated, exhilarated, and four hours later, I was a fan.

That Promising Young Woman chooses to reserve the violence is an unexpected choice that helps to layer our central character and her trauma.

The directors favor stylizing each scene creatively at the expense of this man's story. It's a decision that adversely impacts the film.

Kate Winslet is nothing short of extraordinary as the renowned scientist Mary Anning, who registers a thousand words from a single look.

All My Life was a welcome distraction with a central romance that will send you swooning before you empty a tissue box.

It may take a while to get there, but Soul captures the magic of Pixar.

This is the birth of a superstar played out like Boyhood, and Billie grows before our eyes, taking currency in her image.

Falling into familiar musical biopic tropes, Daniels' The United States vs. Billie Holiday is overlong, unfocused, yet graciously absorbing.

Rosamund Pike is deliciously cast as the evil Marla Grayson, who not just gets her comeuppance but fights until the very last moments.